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Johannes Wohnseifer fiction presents the elements of attempted murder. Based on the history of man who tried to kill President Ronald Reagan – John Hinckley – does pleaded "not guilty" based on the fact that he saw the film Taxi Driver "by Martin Scorsese, in both cases it was an" irresistible impulse " for him to try to kill the President of the United States. With these works, Johannes Wohnseifer presents the viewer with the relationship between reality and fiction in our culture, showing the influences of fiction and the real world have in each other and very often the boundaries between reality and fiction becomes blurred in the process.Wohnseifer uncertain evolution of portraiture sketch of charm and the police composite drawing. The label "acquired directly from the artist," it wrote Wohnseifer in the account as co-conspirator, idle spectator groupie trauma. By documenting the aesthetics of cultural anxiety, Wohnseifer media: images a style without knowing, self-validation.

Diamond Johannes Wohnseifer is painted with the mysticism of its corporate logo comic in an atmosphere of meditation, accompanied by a haiku-like catchphrase. Playing with the humor in spiritualism as a byproduct of the global company, advertising sites such as diamond Wohnseifer religious art again extolling the virtues of power without a face. Shiny, smooth and perfect, the emptiness of this picture is replicated as an echo of the sublime. Each book in this series has the same format: poster-size paintings formalization signs subversive – willing to burden themselves meaning.Johannes commodity philosophical paintings Hack ready Wohnseifer cultural signifiers and reassemble as invented logos. Absurd and comical at times ideological threat, paintings infuse the frivolity of advertising with underlying propaganda and cultural hierarchy. Subversive messages with impunity, packing high art, Wohnseifer consumer uses language as a means of guidance for the identification staff in a spirit of contemporary times. Remastering aesthetic properties, soft images imply its corporate culture, national identity and art contemporary conspiracy theories skillfully encoded.
Johannes Wohnseifer consumer uses language as a means of personal identification put in the spirit of modern times. Her creations suggest the polished corporate culture, national identity and history of art, the remastering of their properties aesthetic theories of conspiracy in code. In Behind the Stripes, the image of Wohnseifer makes ironic reference to conceptual painting. The appropriation of the colors Olt Aicher design plan for the Munich Olympics in 1972, Wohnseifer infuses your logo with the implicit threat. Using the impersonality of the media Wohnseifer style messaging importance autobiographical notes, citing stopped showing the game as his first memory of television.

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If u want to know more about Johannes Wohnseifer paintings, biography, solo exhibitions, group exhibitions and resource of Johannes Wohnseifer. View Johannes Wohnseifer artwork online at The Saatchi Gallery – London contemporary art gallery.Johannes Wohnseifer

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